**François Joubert-Caillet** / Jean-Baptiste Millot

from Cancioneiro de Paris : Triste vida vivyre (Portugal, vilancico from the 16th century)

Santiago de Murcia, Folias gallegas (Portugal, Spain, 18th century)

O Marinheiro (Portugal, fado from the 19th century)

For na beira do mar (Congo, Brazil, folk song)

from Cancioneiro de Elvas : Ia dei fim (Portugal, vilancico from the 16th century)

Cruel Saudade (Brazil, Modinha from the 19th century)

Santiago de Murcia, Cumbé (Brazil, Spain, 18th century)

from Cancioneiro de Paris : Senhora del Mundo (Portugal, vilancico from the 16th century)

António Zambujo, Fado menor (Portugal, fado from the 20th century)

Farar far (India (Goa), folk song)

Jongo da Serrinha, Vida ao jongo (Brazil, folk song)

Lundu (Brazil, folk song)

Bastiana (China (Macau), folk song)

Preto velho caminhou (Angola, folk song)

Rafael Coelho Machado Fenece doçe esperança (Portugal, modinha from the 19th century)

Mai fali é (Indonesia (Timor), folk song)

Amandio Cabral, Sodade (Cape Verde, morna)

José d’Almeida Cabral, A loirinha (Brazil, lundu from the 19th century)

from Cancioneiro de Paris : Naõ tragais (Portugal, vilancico from the 16th century)

From the 15th century onwards, Portuguese navigators conquered territories in America, Asia and Africa. Their curiosity about native cultures gave rise to cross-fertilization, particularly in terms of music. Brazil is the best-known destination for this Portuguese diaspora, but it also spread to Cape Verde, Indonesia, India, Timor, China, Angola and South Africa. L'Achéron and Brazilian singer Luanda Siqueira take us on a journey around the globe in the footsteps of the Portuguese colonies: sacred tunes, fado, vilancicos, songs from Goa, Macao, Coimbra or elsewhere, these rarities promise a colorful and mixed artistic expedition.

Flagey, Festival Musiq3, Les Festivals de Wallonie

In the context of

Festival Musiq3 2025

Be curious