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No quarto da Vanda

Pedro Costa

In the half-demolished shanty outskirts of Lisbon, the daily lives of a drug addict and her seedy entourage of irredeemable misfits, filmed with a digital camera. Costa returns to the sparse lives of the characters of Ossos and their chatter against a backdrop of rampaging excavators. Costa cites Ozu as his inspiration.

Flagey, Cinematek

In the context of

Pedro Costa